Mostrar mensagens com a etiqueta Side-Line. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Side-Line. Mostrar todas as mensagens

domingo, 15 de fevereiro de 2009

PROJECT PITCHFORK :: Entrevista da Side-Line a PETER SPILLES

Está para saír, agora no dia 27 de Fevereiro, o novo album de Project Pitchfork. A esse respeito e não só, leiam a entrevista deles à Side-Line em:
Segue um pequeno trecho desta entrevista acerca do título do album e de algumas das faixas nele contidas:
" [...] SL: Let's speak about your new album - "Tiresias" is a blind prophet of Zeus in Greek mythology. He lived partly as man and woman. Is this something like a Leitmotiv for your album?
PS: In Greek mythology Tiresias is the blind prophet of the Gods. And living as man and woman, according to the legend, makes him to the perfect metaphor for all the rebels in our society that long to leave that shallow point of view to seek and find truth in the depth. In that respect, we all ought to carry a Tiresias in ourselves. And we should dream! There are many versions about how Tiresias became blind. One of them is, that he had betrayed the secrets of the Gods to man… this is without doubt something that can be transformed into our today's society: The mighty leaders that start wars nowadays do not want to inform the people about their true and cruel motivations to do it. Everyone who tries to pull the truth into the light, risks a lot, if not his life.
SL: How did you find the figure of Tiresias, who has admittedly not been the super-hero of Greek mythology, but often played small key-roles in famous poetry like "Ödipus", "Antigone" or "Odysseus"?
PS: You do not have to be a super-hero nowadays neither, to change something. The title of the album was somewhat inevitable due to its meaning and content of lyrics.
SL: Greek mythology has been used by you in many forms also on previous releases. Why are you so interested in it?
PS: I'm fascinated by human history in all its facets. Greek mythology is just an important, but small brick of history of mankind.

SL: "Dream, Tiresias!" is a very thrilling album title that opens up wide spaces for speculations. Do you reckon the album to be some sort of revelation of the blind prophet to the world?
PS: Retrospectively, lyrics of Project Pitchfork have some prophetic content. At least this is something which is said about us - but we would never claim to do that on purpose.
SL: "Dream, Tiresias" feels more in line with releases like "Alpha:Omega". Did this development happen on purpose? Did you already know where to go with the new production in the beginning?
PS: This is always a very individual sensation and varies in the perception of the individual person. When starting a production I never know where the journey will take me. To me it is important to have an open and free mind to pay attention to the feelings that I put into the music. Then I just let myself float… "panta rhei"
SL: "Your god" is in my opinion a very provoking controversy on the contemporary religious conflict. I am interested in how you perceive religion for yourself?
PS: Generally we have a very critical point of view onto it. For the sake of religion too many cruel and wrong things happened in history.
SL: "If I could" is a very destructive and angry song - does it have a real content of pure fiction?
PS: Let me say it this way: Emotions are real. The projection screen to put them on is free to change.
SL: "Nasty habit" what does the blind prophet think about today's medicine?
PS: What the prophet thinks is often different from what he sees. But in "Nasty habit" all is about the "treatment" of problems of modern civilization by the sale of pharmaceutical drugs. The pill "against the annoying kid" is the main topic beside the pill "against all sorrow".
SL: What is emotion for you? A central point on the song "Feel!" is pain. Who did you address that chorus to?
PS: Another reason for Project Pitchfork's songs to be long lasting - they are not addressed to a person, but they are like fairy-tales. They transport feelings and pictures on a metaphoric level. The song is about the tendency to see real suffering of others but not to react. This is the essence of the dramatic thread of the lyrics. [...]"

terça-feira, 11 de novembro de 2008

The Sisters Of Mercy :: We're very much involved in writing the new material (Side-Line Interview)

Fica esta entrevista da Side-Line (http://www.side-line.com/) ao guitarrista de Sisters Of Mercy Ben Christo.
The Sisters Of Mercy are currently on tour in the USA and will do a big European tour, starting beginning 2009. We had the chance to have an interview with lead-guitarist Ben Christo about the past, present and future of one of the most important bands in the alternative scene ever... (By DJ Wildhoney / Picture by Andreas Schinski)

SL: You seem to be a very busy guy. Not only playing lead-guitar with The Sisters Of Mercy on tours around the world, but you are also involved in other activities like acting, DJ-ing, playing with bands like Ayin Aleph, Lingo Scott and Sybreed ... Do you still find time to do everything?

BC: Yeah, the time's balanced pretty well - The Sisters Of Mercy work in intense pockets of activity... and then we have a good few months to pursue other projects.

SL: Tell us the story: how did you become guitarist of The Sisters Of Mercy? Or did you perhaps just do an audition in secret without knowing for which band at all?

BC: It was a little like that. All I can say is that it was a very bizarre experience - and not the band I was expecting...

SL: How could you convince Andrew Eldritch to play in the band Claytown Troupe as support for... The Mission?

BC: Very easily. He had absolutely no problem with it whatsoever. If there is any Mission/Sisters rivalry it exists purely between the fans.

SL: Tell us some of your all-time favourite records you play on parties as a DJ...

BC: Here is my list:
Killing Joke - Eighties
Bon Jovi - You Give Love a Bad Name
Firehouse - All She Wrote
The Cure - Fascination Street

SL: Your band Night By Night has clearly some 80's-metal influences. Is there a big contrast between your love for this music and playing with The Sisters Of Mercy?

BC: In some ways. The Sisters Of Mercy have taught me the value of space and finding one's place within the 'engine' of the music. Hitherto, I had a proclivity for making every track I wrote a showcase for guitar prowess... rather than embracing the importance of THE SONG. I now understand that it's cool for there to be no guitars for an entire section! Eighties Rock is just one strand. I have a huge love for darker music - Depeche Mode, Killing Joke etc. In Night by Night we try to combine the anthemic and melodic qualities of acts such as Def Leppard and The Cult with the introspection and anxiety of the likes of The Cure and Depeche Mode...

SL: So when will there be a first release and big tour of Night By Night?

BC: We're looking at some festival dates and tours for 2009. Debut album around summer. Our EP can be purchased from our Myspace page (www.myspace.com/benchristo).

SL: And, euh, any idea when we finally can see a new release of The Sisters Of Mercy? The updated versions of some old songs and the previously never released new songs as "Susanne", "Summer", "Romeo Down", "Crash And Burn" are surely already classics for the (still hugh) fanbase worldwide...

BC: No idea. Sorry!

SL: Most of the people at town-festivals like Suikerrock (B) only know classics like "Alice" or "Temple Of Love". Is this not frustrating to play for such an audience?

BC: No, it's fantastic, because those songs are so well-written that they will always be fun to play. The enjoyment is fortified ten-fold by the crowd's energy in response to these well-loved tracks.

SL: Which songs do you like to perform most live and why?

BC: "Alice", "When You Don't See Me", "Something Fast", "Giving Ground", "Logic"... because I've loved these tracks since I was 13 years old, listening to them on the school bus! "Susanne" and "Summer" because the riffs are so well-written. Eldritch and Pearson, or so I believe.

SL: How deep are you involved in writing new material? In which way did you put your stamp on The Sisters Of Mercy since you joined the band in 2006 and what about the future?

BC: We're very much involved in writing the new material. I like to think that Chris and I have brought a youthful exuberance to the band. It's less morose and more energetic. I find the live performance incredibly cathartic, it really means something to me... and I hope that's communicated in the live performance.

in, http://www.side-line.com/interviews_comments.php?id=37112_0_16_0_C